Osee Mega 22S4 21.5" Multi-View Monitor

1 x Osee Mega 22S4 21.5" Multi-View Monitor

1 x Mounting Plate

1 x Sunhood

1 x Power Cable

1 x D-Tap to 4-Pin XLR Cable

1 x Peli 1600 Case

1 x Lightweight Stand

1 x Sand Bag

• 21.5" 10-bit IPS panel at 1500cd/m² brightness, so it stays readable even in daylight
• 6 inputs to choose from: 3x 4K HDMI and 3x 3G-SDI, feeding straight from cameras with no switcher needed
• Single, dual, triple and quad-screen layouts, with PIP and PBP options, for viewing up to 4 cameras at once
• HLG/PQ HDR and 3D LUT support, alongside focus peaking, waveform, histogram, false colour and zebra tools
• VESA mounting plate with a spigot that fits straight onto a C-stand or lightweight lighting stand
• Accepts DCI 4K30 input, downconverted to its Full HD panel

On a single-camera shoot, one monitor does the job. Multi-camera productions are a different problem: someone, usually the director, needs to see every angle at once, and a row of small 5" or 7" monitors gets awkward fast. The Mega 22S4 solves that by putting up to 4 camera feeds, drawn from 6 available inputs, onto one 21.5" screen.

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Layouts are configurable for up to 4 cameras at once: run it as a quad screen for four equal views, PIP to keep one camera large with the others as thumbnails, or PBP for a clean side-by-side split. It also supports landscape and portrait orientation, useful if part of the shoot is headed for vertical/social delivery, though switching between the two means unmounting the monitor and turning it by hand rather than rotating it in place on the stand.

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It pairs naturally with multi-camera setups where you're running camera operators across several angles. If a director wants to stand near camera rather than back at a video village, this is built for exactly that. Take a look at our full range of monitor hire if you're weighing this up against other options.

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The mounting plate has a spigot that fits straight onto a C-stand or lightweight lighting stand, so it slots into a normal grip setup without extra adapters. The hire includes the mounting plate, power cable, sunhood, a D-Tap to 4-pin XLR cable and a Peli 1600 case. If you only need a single high-bright monitor rather than a multi-view setup, the SmallHD Cine 18" is worth a look instead. Request a quote to add it to your kit list.

What's included with the Osee Mega 22S4 hire? The hire includes the monitor, mounting plate, sunhood, power cable, a D-Tap to 4-pin XLR cable, a Peli 1600 case for transport, a lightweight stand and a sandbag. The D-Tap cable lets you power it from an on-set V-Lock battery instead of mains, though the battery itself is a separate hire.

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How many camera feeds can it show at once? Up to 4, drawn from 6 available inputs (3x 4K HDMI and 3x 3G-SDI), in single, dual, triple or quad-screen layouts with PIP and PBP options.

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Can I mount it on a stand? Yes. The mounting plate on the back has a spigot that goes straight onto a C-stand or lightweight lighting stand. A stand is included with the hire as standard.

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Does it support vertical/portrait viewing? Yes, though switching between horizontal and vertical means unmounting the monitor and turning it by hand rather than rotating it in place on the stand.

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How does it compare to the SmallHD Cine 18" and 24"? The SmallHD Cine 18" and 24" are single-feed, ultra-high-bright monitors best suited to one camera at a time, while the Mega 22S4 is built specifically for viewing multiple cameras at once. If your shoot only needs one clear monitor rather than a multi-cam view, a monitor like the SmallHD Cine 24" is the better fit.