Atomos Sumo PRO-19 4K Production Monitor

1 x Atomos Sumo PRO-19 4K Production Monitor

1 x Power Supply Unit

1 x IEC Cable

2 x Desktop Feet

4 x Desktop Feet Screws

1 x Battery Plate Mount

4 x Battery Plate Mount Screws

2 x Wi-Fi Antennas

1 x AirGlu Antenna

8 x Antenna Caps

1 x Screen Cloth

1 x Allen Key

1 x Quick Start Guide

1 x Peli Case

CFexpress Cards (optional extra)

• 19" 4K HDR display: 3840x2160, 1200 nits, 10-bit, 99% DCI-P3 coverage
• Records up to 8K30: Apple ProRes, ProRes RAW, Avid DNx and H.265 to CFexpress Type B cards or USB-C drives
• 4-input switching with ISO recording: 2x 12G-SDI, 2x 3G-SDI and 1x HDMI 2.0 inputs, recording 4 isolated feeds plus a 5th programme output
• Built-in pro audio: 2x full-size XLR inputs with 48V phantom power
• Wi-Fi 6E, Ethernet and NDI HX3: plus camera-to-cloud upload and AirGlu wireless timecode sync
• Full monitoring toolkit: false colour, waveform, focus peaking, LUTs, anamorphic de-squeeze and quad view
• Flexible power: mains power supply included, or run it from a battery using the supplied plate mount (7.1kg, ships in a Peli case)

The Atomos Sumo PRO-19 puts 3 jobs into 1 case: a large 4K reference monitor, a multi-format recorder and a 4-input switcher. It’s built for video village, director’s monitoring and any shoot where you want the picture big, bright and recorded at the same time.

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The main advantage is recording straight to cards. You don’t need a separate recorder in the chain. Feed in up to 4 cameras, cut between them live, and the Sumo records every camera as its own ISO alongside the programme mix. Your editor gets every angle plus a ready-made cut, which makes it a strong fit for multi-camera events, interviews, live-to-tape shoots and the kind of runway shows we regularly supply kit for.

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It covers the rest of the chain as well. The 2 XLR inputs with phantom power let you record proper sound alongside the picture, and AirGlu keeps timecode in sync across cameras. NDI and camera-to-cloud upload help when footage needs to reach the edit fast.

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The hire includes the monitor, power supply, IEC cable, desktop feet, battery plate mount, Wi-Fi and AirGlu antennas, antenna caps, screen cloth, Allen key and quick start guide, all in a Peli case. CFexpress cards are available as an optional extra. For battery power, add a kit from our V-mount batteries range. To compare screen sizes, browse our full monitors range or the rest of our Atomos kit. Ready to book? Request a quote and we’ll put your kit list together.

Can the Atomos Sumo PRO-19 record footage? Yes, it records internally to CFexpress Type B cards at up to 8K30, in ProRes, ProRes RAW, Avid DNx and H.265. It can also record to USB-C drives. CFexpress cards aren’t included as standard but can be added to your hire as an optional extra.

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Can it switch between cameras? Yes, it takes up to 4 camera inputs (2x 12G-SDI, 2x 3G-SDI and 1x HDMI) and lets you cut between them live from the touchscreen. It records each camera as an isolated feed plus a 5th programme output, so you keep every angle for the edit.

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How is the Sumo PRO-19 powered? It runs from the included mains power supply, or from a battery using the supplied battery plate mount. Batteries aren’t included with the monitor and are hired as a separate item.

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What’s the difference between the Sumo PRO-19 and the Atomos Shogun Inferno? The Sumo PRO-19 is a 19" production monitor with switching and multi-camera ISO recording. The Shogun Inferno is a 7" on-camera monitor-recorder for a single camera. Choose the Sumo for video village or multi-camera work, and the Shogun Inferno when you want recording and monitoring mounted on the camera itself.