Sony FE 16-35mm f/2.8 G Master
The Sony FE 16-35mm f/2.8 G Master is a professional wide-angle zoom lens, delivering exceptional image quality across its range with a constant f/2.8 aperture. Ideal for establishing shots, environmental coverage, and dramatic wide-angle perspectives whilst maintaining G Master sharpness and contrast.
Kit includes
1 x Sony FE 16-35mm f/2.8 G Master
1 x Lens Cap
1 x Rear Lens Cap
1 x Lens Bag
Key features
- Wide-angle 16-35mm focal range perfect for establishing shots, environmental portraits, and dramatic perspectives
- Constant f/2.8 maximum aperture maintains consistent exposure and depth of field throughout the entire zoom range
- G Master optical design delivers outstanding edge-to-edge sharpness with minimal distortion across the full frame
- Fast, silent autofocus with dual XD Linear Motors provides reliable focus tracking for video and stills work
- Native Sony E-mount with full electronic communication for seamless integration with Sony cameras
- Professional build quality with dust and moisture resistance suitable for demanding location shooting
- Nano AR coating reduces flare and ghosting when shooting towards light sources or in high-contrast situations
- Relatively compact design for a wide-angle f/2.8 zoom makes it practical for handheld and gimbal work
Description
The Sony FE 16-35mm f/2.8 G Master provides professional wide-angle coverage that complements the popular 24-70mm range, extending your capabilities into dramatic wide-angle territory whilst maintaining the constant f/2.8 aperture and G Master image quality. The 16-35mm range is essential for establishing shots that set the scene, environmental portraits that show subjects in context, architectural interiors where space is limited, and any production requiring the impact of wide-angle perspectives. We've supplied this lens extensively for documentaries requiring environmental coverage, music videos using dramatic wide angles, corporate videos showcasing facilities and spaces, and commercial work where the wide-angle look creates visual interest.
What sets this lens apart is the combination of professional wide-angle coverage with the constant f/2.8 aperture throughout the zoom range. At 16mm, you get genuinely wide coverage that captures expansive environments, whilst at 35mm you have a moderate wide-angle suitable for general coverage and environmental portraits. The G Master optics deliver exceptional edge-to-edge sharpness that remains consistent across the zoom range, whilst distortion is remarkably well-controlled for a wide-angle zoom - particularly valuable for architectural and interior work where straight lines matter.
The lens integrates seamlessly with Sony cameras, providing fast, silent autofocus with smooth focus transitions ideal for video work. The dual XD Linear Motors track subjects reliably during camera movements, making it practical for gimbal work and handheld shooting where the wide-angle perspective enhances movement. The Nano AR coating minimises flare and ghosting when shooting towards light sources or in high-contrast situations - common when working with wide-angle lenses. Whether you're shooting establishing shots for documentaries, dramatic wide angles for music videos, architectural and interior coverage, or environmental portraits that show context, the 16-35mm f/2.8 G Master delivers professional wide-angle results.
FAQs
How does the 16-35mm differ from the 24-70mm? The 16-35mm provides wide-angle coverage that extends beyond the 24-70mm's range. At 16mm, you get genuinely wide coverage for establishing shots and dramatic perspectives that the 24-70mm can't achieve. The ranges overlap at 24-35mm, where both lenses perform beautifully. Many productions use both lenses together - the 24-70mm for core coverage and the 16-35mm for wide establishing shots and dramatic angles.
Is 16mm wide enough for most wide-angle work? For the majority of professional video production, 16mm provides ample wide-angle coverage. It's wide enough for establishing shots, environmental portraits, and architectural interiors whilst remaining practical and manageable. For ultra-wide dramatic perspectives, wider lenses extend even further, but 16mm handles most wide-angle requirements beautifully.
Will this work with all Sony cameras? The lens is designed for Sony's full-frame E-mount cameras and works brilliantly with the FX3, FX6, FX9, and Alpha series. It provides full electronic communication including fast autofocus, aperture control, smooth iris transitions for video, and lens metadata recording. The combination delivers professional results across Sony's Cinema Line.
Is distortion an issue at 16mm? The G Master optical design controls distortion remarkably well for a wide-angle zoom. Whilst some barrel distortion is inevitable at 16mm, it's well-managed and can be easily corrected in post-production if needed. For architectural and interior work where straight lines matter, the lens performs exceptionally well with minimal correction required.
How does the autofocus perform for video? The dual XD Linear Motors provide fast, silent autofocus with smooth focus transitions ideal for professional video work. The autofocus tracks subjects reliably during camera movements, making it practical for gimbal work, handheld shooting, and run-and-gun situations where manual focus isn't practical. Focus breathing is well-controlled for professional video applications.
Is this lens suitable for gimbal work? Yes, the relatively compact design makes it practical for professional gimbal operation. The reliable autofocus and wide-angle field of view enhance gimbal movement shots, creating dramatic perspective shifts during camera moves. Verify your specific gimbal's payload capacity, but most professional gimbals handle this lens comfortably with Sony camera bodies.
What productions is this lens best suited for? We've supplied it extensively for establishing shots in documentaries and commercials, dramatic wide angles in music videos, architectural and interior coverage, environmental portraits showing context, and any production where wide-angle perspectives create visual impact. It's particularly valuable when paired with the 24-70mm, providing comprehensive coverage from 16-70mm with consistent f/2.8 aperture.
How far in advance should I book? The 16-35mm f/2.8 G Master is popular for professional productions requiring wide-angle coverage, so we recommend booking as early as possible. Request a quote with your dates and we'll confirm availability.
Please note: all prices are excluding VAT
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