Sony FE 28-135mm f/4 G Lens

1 x Sony FE 28-135mm f/4 G Lens

1 x Lens Cap

1 x Rear Lens Cap

1 x Lens Hood

1 x Lens Bag

• 28-135mm constant f/4 aperture power zoom covering wide to short telephoto in a single lens — no exposure shift across the zoom range
• Servo-controlled zoom motor enables smooth, repeatable zoom moves ideal for video production and remote PTZ operation
• Zoom and focus can be controlled via Sony's camera body, compatible zoom demand units, or remotely via the FR7's PTZ system
• Internal zoom and focus design means the lens doesn't extend during operation — no balance shift on gimbals or rigs
• Optical SteadyShot image stabilisation provides additional steadiness for handheld and shoulder-mounted shooting
• Fast Hybrid AF with full-time DMF (Direct Manual Focus) for precise focus control during recording
• Weather-sealed construction with dust and moisture resistance for reliable use on location
• Compatible with the full Sony E-mount Cinema Line including the FX3, FX6, FX9 and FR7

The Sony 28-135mm f/4 G is one of those lenses that earns its place across a wide range of productions. The constant f/4 aperture and 28-135mm zoom range give you genuine flexibility — wide enough for environmental shots and tight enough for close-ups — without any exposure shift as you zoom. For documentary, corporate, broadcast and event work where changing lenses mid-shoot isn't practical, it covers most of what you'll need from a single optic.

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The power zoom is what sets it apart from most cinema-style lenses. The servo motor delivers smooth, controlled zoom movement that's consistent and repeatable — exactly what's needed for professional video work where a manual zoom ring would introduce too much variation. It also makes it the natural pairing for the Sony FR7, where the zoom can be driven remotely via the PTZ system, giving you full focal range control from the controller without anyone touching the lens. We offer it as an optional extra alongside FR7 hire for exactly this reason.

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On a standard camera it works equally well. It pairs seamlessly with the FX3, FX6 and FX9, taking full advantage of Sony's Fast Hybrid AF system, and the internal zoom design keeps the lens length consistent throughout the range — no balance issues on a gimbal or shoulder rig. Built-in optical stabilisation adds a further layer of smoothness for handheld operation. Whether you're shooting a corporate interview series, a documentary, a live event or a multi-camera broadcast production, the 28-135mm G is a reliable, versatile choice that works hard across the whole day. Request a quote with your dates and we'll confirm availability.

What makes this lens well suited to video production? The combination of a constant f/4 aperture, servo-controlled power zoom, and internal zoom design makes it purpose-built for video work. There's no exposure shift across the zoom range, the zoom movement is smooth and motorised rather than manual, and the lens doesn't physically extend during use — which matters for balance on gimbals, shoulder rigs and PTZ heads. It's a genuinely video-first lens rather than a photo lens that also shoots video.

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Does the power zoom work with all Sony cameras? The servo zoom motor is compatible with Sony E-mount cameras that support zoom control via the body, including the FX3, FX6, FX9 and FR7. On cameras without built-in zoom control, a compatible zoom demand unit can be used. If you're unsure whether it'll work with your specific setup, get in touch and we can advise.

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Why is this the recommended lens for the FR7? The 28-135mm G is a power zoom lens, meaning its zoom can be driven remotely — which is essential when the camera is mounted in a position nobody can physically reach. Most E-mount lenses have manual zoom rings that can't be controlled remotely, making them impractical for PTZ operation. The 28-135mm G is the lens Sony designed alongside the FR7 for exactly this reason. We offer it as an optional extra with Sony FR7 hire.

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Can I use this lens for handheld shooting? Yes. The built-in optical stabilisation, comfortable zoom range, and manageable size make it well suited to handheld and shoulder-mounted work. The power zoom can be operated via the camera body on supported bodies, or you can use the manual zoom ring if you prefer. It's a versatile lens that works across a wide range of shooting styles.

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What's the image quality like? As a Sony G lens it delivers professional-grade sharpness and colour rendering throughout the zoom range. The constant f/4 aperture keeps images consistent, and it shares the same colour science as the rest of Sony's Cinema Line glass — making it straightforward to match with other Sony lenses in a multi-camera setup. It's not a G Master, so dedicated prime lenses will edge it for maximum sharpness and bokeh, but for a zoom used across a full production day it performs extremely well.

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How far in advance should I book? We'd always recommend booking as early as possible, particularly if you're hiring it alongside the FR7 or other popular kit. Request a quote with your dates and we'll confirm availability and pricing.