Zeiss CP3 5-Way Compact Prime Lens Set

£
200
/day

The Zeiss CP.3 5-way compact prime lens set delivers exceptional cinematic image quality with classic Zeiss character across essential focal lengths from 18mm to 100mm. This professional cine prime set combines outstanding optical performance, compact build, and consistent T2.1-T2.9 speed for narrative and commercial productions.

Kit includes

1 x Zeiss CP.3 18mm T2.9

1 x Zeiss CP.3 25mm T2.1

1 x Zeiss CP.3 35mm T2.1

1 x Zeiss CP.3 50mm T2.1

1 x Zeiss CP.3 100mm T2.1

5 x Lens Caps

5 x Rear Lens Caps

1 x Hard Case

Key features

  • Five essential focal lengths covering 18mm, 25mm, 35mm, 50mm, and 100mm for comprehensive cinematic coverage
  • Fast maximum apertures of T2.1-T2.9 provide excellent low-light performance and beautiful depth of field control
  • Classic Zeiss optical character delivers crisp, clean images with smooth bokeh and flattering skin tones
  • Compact, lightweight design with consistent form factor across all focal lengths simplifies lens changes and rigging
  • Consistent colour matching and contrast across the entire set eliminates need for colour correction between lenses
  • Interchangeable PL mount compatible with professional cinema cameras and cine-style lens systems
  • Robust cine construction with precise focus and iris gearing for professional follow focus and wireless control systems
  • Complete set in protective hard case with all lens caps for safe transport and organised storage

Description

The Zeiss CP.3 compact prime set represents exceptional value in professional cinema lenses, delivering the renowned Zeiss optical character across five essential focal lengths. This set has become popular for narrative productions, commercials, and high-end corporate work where the combination of compact size and cinema-quality optics provides creative flexibility without compromise. The classic Zeiss look - crisp yet organic, with smooth bokeh and flattering contrast - gives footage a distinctly cinematic character that elevates production value. We've supplied this set extensively for narrative shorts, commercial work, music videos, and any production requiring true cinema prime quality.

What makes the CP.3 set particularly valuable is the combination of optical performance and practical design. Each lens shares the same compact form factor with consistent gear positions, making lens changes quick and eliminating the need to rebalance camera rigs between focal lengths. The fast T2.1-T2.9 apertures provide excellent low-light capability whilst also allowing shallow depth of field for subject isolation and that cinematic out-of-focus background characteristic. The colour matching across all five lenses is exceptional - you can cut between footage shot on different focal lengths without noticeable colour shifts, eliminating time-consuming colour correction in post-production.

The focal range from 18mm to 100mm covers the vast majority of narrative and commercial shooting requirements. The 18mm provides dramatic wide-angle perspectives, the 25mm and 35mm are workhorses for general coverage and environmental shots, the 50mm delivers classic portrait framing and medium shots, whilst the 100mm provides flattering compression for close-ups and detail work. The PL mount is compatible with professional cinema cameras, and the robust cine construction with precise gearing works seamlessly with follow focus systems and wireless lens control. Whether you're shooting narrative work, commercials, music videos, or high-end corporate content requiring that cinematic look, the CP.3 5-way set delivers professional results.

FAQs

What focal lengths are included in this set? The 5-way set includes 18mm T2.9, 25mm T2.1, 35mm T2.1, 50mm T2.1, and 100mm T2.1 - covering the essential range for most narrative and commercial productions. This range provides everything from dramatic wide angles through to flattering telephoto compression without requiring lens changes for the majority of typical shooting scenarios.

What cameras work with these lenses? The CP.3 lenses feature PL mount, making them compatible with professional cinema cameras including ARRI, RED, Sony VENICE, and other cinema cameras with native or adapted PL mount. They work beautifully with cameras like the ARRI ALEXA, Sony VENICE, and RED systems. For Sony E-mount cameras like our FX series, you would need a PL to E-mount adapter.

What's the difference between CP.3 and other Zeiss cinema lenses? The CP.3 series offers the classic Zeiss optical character in a more compact, lightweight package compared to larger cinema prime sets. They deliver excellent image quality with the signature Zeiss look whilst remaining practical for handheld work, gimbal operation, and smaller camera packages. The compact design doesn't compromise optical performance - you're getting true cinema prime quality in a more versatile form factor.

Are all the lenses the same speed? The set ranges from T2.1 to T2.9 maximum aperture. The 18mm is T2.9, whilst the 25mm, 35mm, 50mm, and 100mm are all T2.1. This fast aperture range provides excellent low-light performance and beautiful depth of field control across the entire set, with the slight difference in the 18mm being typical for ultra-wide cinema lenses.

Do the lenses match in colour and contrast? Yes, colour matching across the CP.3 set is exceptional. All five lenses deliver consistent colour rendition and contrast characteristics, allowing you to cut between footage shot on different focal lengths without noticeable shifts. This consistency significantly reduces colour grading time in post-production and maintains visual continuity throughout your project.

What makes these suitable for narrative work? The combination of classic Zeiss optical character, fast apertures for shallow depth of field, smooth bokeh, flattering skin tones, and crisp yet organic rendering makes the CP.3 set ideal for narrative work. The cinematic look elevates production value, whilst the practical compact design doesn't slow down shooting. The consistent form factor across focal lengths also means faster lens changes during production.

Can I hire individual lenses instead of the full set? Can I hire individual lenses instead of the full set?Yes, individual CP.3 lenses are available to hire separately if you only need specific focal lengths. However, the 5-way set provides better value and ensures you have comprehensive coverage for your production. Browse our individual Zeiss CP.3 lenses or contact us to discuss which configuration best suits your needs.

How far in advance should I book? The Zeiss CP.3 5-way set is popular for narrative and commercial productions, so we recommend booking as early as possible. Request a quote with your dates and we'll confirm availability.

Please note: all prices are excluding VAT

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