Sony FE 12-24mm f/2.8 G Master

1 x Sony FE 12-24mm f/2.8 G Master

1 x Lens Cap

1 x Rear Lens Cap

1 x Lens Bag

• Ultra-wide 12-24mm focal range perfect for dramatic wide-angle perspectives, architecture, and expansive landscape shots
• Constant f/2.8 maximum aperture maintains consistent exposure and depth of field throughout the entire zoom range
• G Master optical design delivers exceptional edge-to-edge sharpness with minimal distortion across the full frame
• Fast, silent autofocus with XD Linear Motors provides precise focus tracking for both stills and video work
• Native Sony E-mount with full electronic communication for seamless integration with FX3, FX6, FX9, and Alpha cameras
• Professional build quality with dust and moisture resistance suitable for demanding location shooting
• Circular aperture design creates smooth, natural bokeh even at the ultra-wide focal lengths
• Compact design considering the f/2.8 aperture and ultra-wide coverage makes it practical for handheld and gimbal work

The Sony FE 12-24mm f/2.8 G Master represents the pinnacle of ultra-wide-angle zoom lens design, combining the dramatic perspective of a 12mm ultra-wide with the versatility of a 24mm moderate wide-angle in a single constant f/2.8 package. The G Master optical formula delivers remarkable sharpness from corner to corner, making it ideal for productions where image quality cannot be compromised. We've supplied this lens for everything from architectural interiors and real estate videos to music videos requiring dramatic wide-angle perspectives, establishing shots for documentaries, and commercial work where the ultra-wide look creates impact.

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What sets this lens apart is the combination of the constant f/2.8 aperture with the ultra-wide focal range. Most ultra-wide zooms compromise on aperture, but the f/2.8 throughout the zoom range provides consistent exposure and depth of field control whilst also delivering excellent low-light performance. The edge-to-edge sharpness is particularly impressive - even at 12mm, the corners remain crisp and detailed without the softness or distortion typical of ultra-wide lenses. This makes it professional quality for commercial work, not just an effects lens for occasional ultra-wide shots.

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The lens integrates seamlessly with Sony's FX3, FX6, and FX9 cameras, providing fast, silent autofocus that tracks reliably even during complex camera movements. The XD Linear Motors deliver smooth focus transitions for video work, whilst the dust and moisture-resistant construction ensures reliable operation on location shoots. Despite the f/2.8 aperture and 12-24mm range, the lens remains relatively compact compared to comparable ultra-wide zooms, making it practical for gimbal work and handheld shooting. Whether you're shooting dramatic architectural interiors, expansive landscapes, music video wide shots, or any production requiring professional ultra-wide coverage, the 12-24mm f/2.8 G Master delivers stunning results.

What makes this lens different from other ultra-wide zooms? The constant f/2.8 aperture throughout the 12-24mm range sets it apart from most ultra-wide zooms which typically have variable apertures like f/4-5.6. This provides consistent exposure, better low-light performance, and greater depth of field control. The G Master optics also deliver exceptional edge-to-edge sharpness that remains consistent across the zoom range, making it truly professional quality rather than just a wide-angle effect lens.

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Will this work with all Sony cameras? The lens is designed for Sony's full-frame E-mount cameras and works brilliantly with the FX3, FX6, FX9, and Alpha series. It provides full electronic communication including fast autofocus, aperture control, and metadata recording. On APS-C sensor cameras, it would provide an effective 18-36mm field of view, though it's optimised for full-frame coverage.

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Is 12mm too wide for most productions? The 12-24mm range provides incredible versatility. At 12mm, you get dramatic ultra-wide perspectives perfect for architectural interiors, creative music video shots, or establishing shots that show expansive environments. At 24mm, you have a moderate wide-angle that's useful for interviews, standard coverage, and general shooting. Having both extremes in one lens means you're covered for everything from dramatic wides to more conventional angles without lens changes.

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How does the autofocus perform for video? The XD Linear Motors provide fast, silent autofocus with smooth focus transitions ideal for video work. The autofocus tracks reliably during camera movements and subject motion, making it practical for gimbal work, handheld shooting, and run-and-gun documentary situations where manual focus isn't practical. The focus breathing is also well-controlled for professional video applications.

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Is this lens suitable for gimbal work? Yes, despite the f/2.8 aperture and ultra-wide coverage, the lens is relatively compact and works well on professional gimbals. The balanced design and reliable autofocus make it practical for gimbal operation, particularly when you want dramatic wide-angle movement shots. However, verify your specific gimbal's payload capacity, as it's still a substantial lens compared to smaller primes.

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Does the lens have significant distortion at 12mm? The G Master optical design minimises distortion remarkably well for an ultra-wide lens. Whilst some barrel distortion is inevitable at 12mm, it's well-controlled and can be easily corrected in post-production if needed. For architectural and interior work where straight lines matter, the lens performs exceptionally well with minimal correction required.

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What productions is this lens best suited for? We've supplied it extensively for architectural and real estate videos, music videos requiring dramatic wide perspectives, establishing shots for documentaries and commercials, interior scenes where space is limited but you need wide coverage, and any production where the ultra-wide look creates visual impact. The professional image quality makes it suitable for high-end commercial work, not just creative projects.

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How far in advance should I book?The 12-24mm f/2.8 G Master is one of our premium lenses and popular for commercial and music video work, so we recommend booking as early as possible. Request a quote with your shoot dates and we'll confirm availability.