Richard Quinn Spring 2027

For Richard Quinn's Spring/Summer 2027 show at London Fashion Week, we supplied a 3-camera PTZ package, a PTZ operator and a camera assistant to record the show at Lindley Hall.

The cameras were rigged high on the venue's truss, alongside the crystal chandeliers that defined the set.

The Brief

Richard Quinn showed his Spring/Summer 2027 collection on September 19, 2026, with Helena Christensen closing the show.

The collection of more than 40 looks centred on the ritual of dressing, with ball gowns, crinolines, feathers and crystal embroidery.

The set turned Lindley Hall into a mirrored salon, with huge crystal chandeliers hung from a large truss above the runway.

The show needed recording from angles that worked with that set, without cameras or crew getting in the way of the room.

The Crew

We supplied 2 freelance crew members:

• PTZ operator
• Camera assistant

What We Supplied

Cameras and lenses

• 3 x Sony FR7 PTZ cameras
• 2 x Sony FE PZ 28-135mm f/4 G
• Sony FE PZ 16-35mm f/4 G

Control and support

• Sony RM-IP500 PTZ controller
• 3 x grip kits
• Manfrotto double stage stand

Recording and monitoring

• 3 x Atomos Shogun Inferno recorders
• SmallHD Cine 18" high-bright monitor
• Decimator MD-QUAD multiviewer

Cabling and network

• 3 x 20m SDI cables
• Ethernet cabling and an ethernet switch

How It Came Together

The venue had a massive truss running above the space, with the show's chandeliers rigged from it.

That gave us the perfect spot for the cameras.

We rigged the FR7s on the truss too, giving the recording high angles over the runway that a tripod on the floor could never reach. PTZ cameras made that possible.

Once rigged, nobody needs to touch them: our PTZ operator ran all 3 FR7s remotely from the RM-IP500 over an ethernet network, panning, tilting and zooming from the ground.

Every FR7 carried a power zoom lens, which is what lets the FR7 zoom remotely.

The 28-135mms reached in for close-ups on the embroidery and feathers, and the 16-35mm took in the full sweep of the set.

Each camera recorded to its own Shogun Inferno, and the MD-QUAD put all 3 feeds on one screen so the team could watch every angle at once.

Recording a runway show or event with a big set? Request a quote and we'll put the cameras and crew together for you.